Sep 2019 -Nov 2019

Taking ‘Mirror Flower, Water and Moon’ as the inspiration, the painting depicts the beautiful scenery of buildings, flowers and window panes in the early spring and summer of Jiangnan in the hazy memory.

By overlapping watercolour and white drawing, blurring the boundaries of shape and colour, the impression of the Jiangnan scenery in memory is captured in a concrete way and the indescribable misty abstraction coexist, easy and delicate at the same time. In the overall same colour system with gradient changes in the treatment of white, to create a sense of atmosphere to the azure, adding the traditional Chinese elements such as lattice windows, ancient buildings and other modern Chinese cities, hidden in the green bushes, ancient windows to show a thick, heavy, light, clear sense of light and elegant ink and water. And then combine the ink and south of the river with the windows, buildings and shadows, different angles to interpret the modern generation of the state phoenix.

Inspired by my journey to the Snowy Plateau, ‘the last pure land of the blue planet’.

Along the way, the mythological story of the Phoenix Mountain, the cold-resistant plants of the plateau, and the unique mineral texture are three distinctive parts of life on the plateau that are closely interlocked and rendered with each other to form a sense of balance to outline the beautiful nature under the blue dome of the sky and the alternating cycle of life.  

The focus is on expressing the harmony of nature on the Tibetan Plateau to show the beauty of life on the Tibetan Plateau, where mankind has gradually reached an amazing balance with nature for the sake of individual survival and family happiness.

Through the stamen pattern bottom and edge of the transformation, and then interspersed with irregular stripes in the way applied to the pattern, with low saturation Shu brocade colour scheme to draw inspiration from the European classic large flowers as the basis of the pattern, in green as the main colour, adding light yellow and pink in the neutralisation of the dullness of the stripes at the same time, there is a hint of jumping out of the frame of the vitality of the breath.

VVS， Very very slightly included，One of the clarity grades of diamonds, it represents a higher grade of diamonds with no visible flaws to the naked eye. The traditional ‘Li pattern’ is the result of the glittering wisdom of the ancient Chinese people. In this pattern, I consider the ‘Li pattern’ to be as beautiful as a diamond, because it purely expresses the traditional weaver's description and desire for beauty. In the colour scheme of the basic traditional Li pattern, the saturation and brightness are increased to show the pure transparency of the diamond texture. It shows its preciousness and rarity. The ‘VVS’ pattern expresses the guardianship of the traditional Le pattern and the preciousness of the craftsman's spirit.